It's little I care what path I take,
And where it leads it's little I care;
But out of this house, lest my heart break,
I must go, and off somewhere.
It's little I know what's in my heart,
What's in my mind it's little I know,
But there's that in me must up and start,
And it's little I care where my feet go.
I wish I could walk for a day and a night,
And find me at dawn in a desolate place
With never the rut of a road in sight,
Nor the roof of a house, nor the eyes of a face.
I wish I could walk till my blood should spout,
And drop me, never to stir again,
On a shore that is wide, for the tide is out,
And the weedy rocks are bare to the rain.
But dump or dock, where the path I take
Brings up, it's little enough I care;
And it's little I'd mind the fuss they'll make,
Huddled dead in a ditch somewhere.
"Is something the matter, dear," she said,
"That you sit at your work so silently?"
"No, mother, no, 'twas a knot in my thread.
There goes the kettle, I'll make the tea."
An Ancient Gesture
I thought, as I wiped my eyes on the corner of my apron:
Penelope did this too.
And more than once: you can't keep weaving all day
And undoing it all through the night;
Your arms get tired, and the back of your neck gets tight;
And along towards morning, when you think it will never be light,
And your husband has been gone, and you don't know where, for years.
Suddenly you burst into tears;
There is simply nothing else to do.
And I thought, as I wiped my eyes on the corner of my apron:
This is an ancient gesture, authentic, antique,
In the very best tradition, classic, Greek;
Ulysses did this too.
But only as a gesture,―a gesture which implied
To the assembled throng that he was much too moved to speak.
He learned it from Penelope...
Penelope, who really cried.